http://www.youtube.com/watch?v=ibuJd27fcJc
Nobody is more skeptical of Moombahton than I am, or was. Now that people are actually producing Moombahton instead of taking a song and slowing it down to 108, I can accept the genre as legitimate. There is no doubt that Dillon Francis is the world leader of the genre and is paving the way for an entirely new subculture within EDM. That being said, there are others helping to carry the torch such as Dave Nada, Torro Torro (check their Toronto Moombahton party “slowed”), and Diplo. I am sure there are many other important names for Moombahton, but these are just the ones I have come across in my very limited experience with the genre. A recent post on Chemical Jump sums up the current state of Moombahton extremely well:
“The fundamental problem I see with Moombahton is that it wasn’t a unique sound that was created over time and slowly evolved like many of the styles in electro house that you see today. Moombahton was created by slowing Afrojack’s remix of the Silvio Ecomo & DJ Chuckie’sMoombah to 108 bpm. For me, the real problem with Moombahton is that you can define it. Moombahton was introduced as a genre in a new age of so many bedroom producers that it overwhelms my inbox every morning with crazy mashups, edits, remixes and everything in between. There are so many people who can simply fire up FL Studio, Reason, Logic, Ableton, Pro Tools, etc and use that established definition of Moombahton to create something that resembles Kuato from Total Recall.” – CJ
Here are two more sick Moombers from Dill Fran/Diplo/Toddla T (apologies for youtube links, I’m in a place where internet doesn’t really support file uploads).
http://www.youtube.com/watch?v=JFttQbkTKi0
http://www.youtube.com/watch?v=XRyLmpOc8QM